https://exhibits.library.utoronto.ca/files/original/a3db94f49c34504af374315562433188.jpg a58044e48921199167d4cb8b6bdaa2dd https://exhibits.library.utoronto.ca/files/original/228a9e7a9f4ab53b578eff8ce0451979.jpg 5808eb9f9aaa3606221501fef96d909f https://exhibits.library.utoronto.ca/files/original/c689681987a7f502c027c8afdca6f3b5.jpg 94ae6b335e12ca15a7cc8e00aca80fec Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aspen Magazine, No. 8: The Fluxus Issue Subject The topic of the resource Fluxus (art movement), conceptual art, Intermedia (Art), Artist's periodicals, 1970s avant-garde Description An account of the resource Issue No. 8 of Aspen Magazine, known as the Fluxus Issue, was guest edited by Dan Graham and George Maciunas. It embodies the intermedia aesthetic of Fluxus through conceptual instructions, scores, a vinyl record and printed works. The issue's contents blur the boundaries between magazine, art collection and exhibition, reflecting the Fluxus commitment to merging art and life through participatory and ephemeral forms. Creator An entity primarily responsible for making the resource Edited by Dan Graham and George Maciunas Source A related resource from which the described resource is derived Original issue form the collection of the University of Toronto's Art History Library Publisher An entity responsible for making the resource available Roaring Fork Pres (New York, N.Y.) Date A point or period of time associated with an event in the lifecycle of the resource Fall-Winter 1970-1971 Contributor An entity responsible for making contributions to the resource George Maciunas, David Antin, Terry Atkinson, Michael Baldwin, Phillip Glass, Jackson Mac Low, Richard Sara, Steve Reich, La Monte Yong, Yvonne Rainer, Jo Baer, Dennis Oppenheim, Robert Smithson, Edward, Ruscha Relation A related resource Part of: Aspen Magazine (1965-1971); Related to Fluxus works and works by George Maciunas. Format The file format, physical medium, or dimensions of the resource Multiple media in box format: printed cards, posters, flexi-disc, and other ephemera. Language A language of the resource English Type The nature or genre of the resource Text; Image; Sound; Physical Object Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Temporal: 1965-1971 Spatial: New York, N.Y. Aspen, CO. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Section 7: Notes on Continuous Periodic Composite Sound Waveform Environment Realizations of Map of 49's Dream The Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery Creator An entity primarily responsible for making the resource Young, La Monte, 1935-2023 Format The file format, physical medium, or dimensions of the resource Folded printed sheet; Text document with theoretical explanations and frequency specifications Subject The topic of the resource Drone music; Minimalism (Music); Just intonation; Sine waves; Sound environments; Frequency ratios; Microtonal music; Dream House; Electronic music; Sustained tones; Psychoacoustics; Periodic composite sound; Tuning systems; Theatre of Eternal Music; Experimental music Description An account of the resource A theoretical text documenting Young's sustained tone compositions and sound installation concepts using electronically generated sine waves tuned to precise frequency ratios based on just intonation principles. The notes explain the realization of continuous periodic composite sound waveform environments, wherein multiple sine wave generators produce mathematically determined frequencies that create complex interference patterns as listeners move through space. This work forms part of Young's larger compositional project "Map of 49's Dream The Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery," begun in 1966 as a subsection of the even more expansive "The Tortoise, His Dreams and Journeys" (initiated 1964 with the Theatre of Eternal Music). Young developed a classification system called "The Two Systems of Eleven Categories" that established algorithms for selecting frequency ratios that exclude the number five, ensuring that not only the primary frequencies but also their combination tones maintain specific mathematical relationships. Source A related resource from which the described resource is derived Part of Aspen Magazine No. 8: The Fluxus Issue; Accompanies Section 5 (phonograph recording); Related to "Map of 49's Dream The Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery" (begun 1966); Part of "The Tortoise, His Dreams and Journeys" (begun 1964); Connected to Dream House installations (first installation September 1966-January 1970 at Church Street) Date A point or period of time associated with an event in the lifecycle of the resource Fall-Winter 1970-1971 Contributor An entity responsible for making contributions to the resource Zazeela, Marian, 1940-2024 (Collaborator/Light designer); Graham, Dan, 1942-2022 (Editor); Maciunas, George, 1931-1978 (Designer); Johnson, Phyllis, 1926-2001 (Publisher); Theatre of Eternal Music (Associated performance ensemble) Relation A related resource Is part of Aspen Magazine No. 8 (Fall-Winter 1970-1971); Subsection of "Map of 49's Dream The Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery"; Part of larger work "The Tortoise, His Dreams and Journeys"; Related to Dream House sound installations; Influenced by Hindustani classical music study with Pandit Pran Nath; Connected to "Dream House 78'17"" album (Shandar, 1974); Precursor to "The Well-Tuned Piano" (begun 1964) Language A language of the resource English; Mathematical notation; Frequency specifications Type The nature or genre of the resource Theoretical text; Composer's notes; Technical documentation; Sound art proposal; Performance instructions Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm Temporal: 1965-1971 Spatial: New York, N.Y. Aspen, CO. Publisher An entity responsible for making the resource available Roaring Fork Pres (New York, N.Y.)