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                <text>Notes on the Parchment: Ticehurst, 1510 on the front Rubbing.8b on the back &#13;
&#13;
Description of Rubbing: She is facing left with her hands in prayer. She has a long detailed dress with slight cross hatched shading, folds and pleats in the skirt and no feet are showing. The sleeves are tight to her arms with details around the wrist. There is a detailed belt that hangs down the front of the dress almost to the floor. Her wimple is long past her shoulders and looks as if there is a lace or detailed trim that matches the belt. &#13;
&#13;
Matches Rubbing2024.59 -they are very similar but not identical. Also is a duplicate of Rubbing2024.60.She is one of John Wybarne's wives either Edith or Agnes, it does not signify who was on the left or right of him.   </text>
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                <text>Parchment 26.5cm x 49cm</text>
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                <text>Monumental Brass Society. 2025. "John Wybarne | Portfolio of Brasses | Monumental Brass Society." Monumental Brass Society. 2025. https://www.mbs-brasses.co.uk/index-of-brasses/john-wybarne.</text>
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                <text>Rubbing2023.6 - Isabella Cheyne </text>
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                <text>St. Andrews Church, Blickling, Norfolk</text>
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                <text>Wife of William Cheyne of the Isle of Sheppey, her father was Thomas Boleyn &#13;
&#13;
Description of Rubbing: She is standing facing left. Her hands are not praying they are open in front of her chest with all 5 fingers showing on both hands. She has a butterfly headdress on with a high forehead. Her dress is long and pleated with extra fabric at the bottom. It is a low cut dress and she is wearing a globular necklace. The sleeves are fur lined and tight to her arms. There is bold lines and no feet visible. </text>
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                <text>Glover, Sarah. 2012. "Brass Rubbing &amp; Monumental Brasses." British Archaeology at the Ashmolean Museum. 2012. https://britisharchaeology.ashmus.ox.ac.uk/brass-rubbings/brass-rubb-intro.html.</text>
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                <text>Chalfont St. Giles</text>
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                <text>Notes on the Parchment: "small brasses Chalfont St. Giles"&#13;
&#13;
Description of Rubbing: The top rubbing is of the 5 sons. They are very crowded with 3 in front, 1 partially seen behind them and 1 barely seen behind them all. &#13;
&#13;
They are looking to the right. They all look similar. They all have short chin length hair. The hands that can be seen are praying. The robes that can be seen have an opening for arms and they have tight sleeves. There are rounded curved details at their throats and some feet are shown. &#13;
&#13;
The rubbing underneath is of the 4 girls. They have slightly different heights but are lined up and crowded but not as much as the boys. You can see most of all of the girls. They also all look similar. They all have long hair with jeweled headbands on. Their hands are praying and they are looking to the left. They have square cut neck long dresses with tight sleeves and. They also have belts with a floral type belt buckle. There is very little pleating in the dress. </text>
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                <text>Parchment 22cm x 65cm </text>
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                <text>Victoria County History. 1925. "Parishes: Chalfont St. Giles." British History Online. 1925. https://www.british-history.ac.uk/vch/bucks/vol3/pp184-193.</text>
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                <text>Cynthia Watson</text>
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                <text>Rubbing2023.4 - William Gardiner and his two wives Elizabeth (Grove) and Cecily </text>
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                <text>1541</text>
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                <text>Notes on the Parchment: "Chalfont St. Giles Civilian &amp; 2 wives 1540"&#13;
&#13;
Description of Rubbing: The image is of Elizabeth, William, Cecily. &#13;
&#13;
The civilian has his hands praying, and he is looking straight forward. His hair is cut into a bob reaching his chin. He is standing on a grass mound. He is wearing a robe or cape that lands at his ankles showing his feet and sandals. His robes have a center line with what looks to be fur and large sleeves. &#13;
&#13;
The wife on the left is facing the right and the wife on the right is facing left. It looks as if they are meant to be identical but they are just slightly off. &#13;
&#13;
They both have praying hands. They have a large sleeved dress on with square neck designs. They also have a double beaded belt down the front and have angular wimples on. Their dresses have folds and pleats and no feet are shown. &#13;
&#13;
All three are very detailed and heavily shaded.</text>
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                <text>Victoria County History. 1925. "Parishes: Chalfont St. Giles." British History Online. 1925. https://www.british-history.ac.uk/vch/bucks/vol3/pp184-193.</text>
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                <text>Rubbing2023.3 - (left to right) Margaret Dymock (first wife), Robert Ingleton, Clemens Beaumonte (second wife), Isabella Cantilupe (third wife)</text>
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                <text>1472</text>
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                <text>Thornton, in the church altar tomb, center of nave originally in the center of the chancel </text>
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                <text>Robert Ingleton was Chancellor of the Exchequer to Edward IV&#13;
&#13;
Notes on the Parchment: "Thornton Robert Ingylton &amp; 3 wives 1472"&#13;
&#13;
Description of Rubbing: Robert is in full plate armor except his head is bare and he has short hair. He is standing on a grassy mound with his hands praying. His sword is sitting at his waist and leaning diagonally to the right. The armor is very detailed. &#13;
&#13;
The three wives (one to the left of him and two to the right of him) are identical. They are all wearing low rounded cut fur-trimmed kirtles and horned head dresses. Their hands are praying and their dresses have pleats and folds. They are also detailed.</text>
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                <text>Bertram, Jerome. 2019. "Thornton Church -  MS1 Robert Ingleton Brass." Mkheritage.org.uk. 2019. http://www.mkheritage.org.uk/wdahs/Thornton/docs/ms1.html.</text>
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                <text>In Parish Church of Chalfont St. Peter on the North Wall.</text>
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&#13;
Description of Rubbing: William is on the left. He is facing forward and in full plate armor with his hands praying. He has short hair and is not wearing a helmet. &#13;
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His sword is laying vertically on his right side. He has 11 taces on his midriff. He is also stepping in a dog. &#13;
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The dog is laying at his feet facing left. Its head is above his left foot and the dogs behind and tail are at his right foot. The dog is looking up and has no collar. &#13;
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Margery is on the right. She is also facing forward and has praying hands. She is wearing a horned headdress and veil. She has a long cape and slightly pleated dress. The cape has a button enclosure at the top near the neck. &#13;
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There is a dog at her right side at the bottom of the dress. It is facing left and has a collar with bells on. They both have bold lines and very little shading. </text>
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                <text>Stephenson, Mill. 1926. A List of Monumental Brasses in the British Isles. Internet Archive. Devonshire Street, London: Headley Brothers. https://archive.org/stream/b29828302/b29828302_djvu.txt.</text>
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                <text>Notes on the Parchment: "Agnes, widow of Sir John Cheynes knight and of Wsmund Molyneux, her second husband, 1484. Two figures under canopies, man in plate armour having finial beads and pinnacle, are pinnacle missing."&#13;
&#13;
Description of Rubbing: There are 2 figures within this parchment. &#13;
&#13;
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The figure on the right is a woman in a long gown with a cape and hood. There are pleats and folds within the skirt and her hands are praying. The edges of her cape have details in the front. She has no feet showing but she is on a small mound. They are both facing forward. </text>
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                <text>Notes on the Parchment: "Edward Bulstrode, Daughters of Pair in Upton Church, 1599," on the back it has the label "Rubbing.7"&#13;
&#13;
Description of Rubbing: There are 6 ladies lined up all facing the left, as the ladies progress to the right they are getting smaller making the brass angular at the top. &#13;
&#13;
The ladies all look very similar. They all have a cartwheel ruff around their neck. They have bold simple shading within the folds of their dress and the sleeves of the dress. The bodice has a belt that goes down the front of the dress and has two separate ends that land just past the hips. There are shoes that are seen at the bottom of the dress. &#13;
&#13;
The 6 ladies have very little overlap between them. </text>
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                <text>Baker, A. 2002. "UPTON CHURCH and the BULSTRODE BRASSES." http://www.bucksas.org.uk/rob/rob_42_0_103.pdf.</text>
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                <text>Notes on the Parchment: "Ticehurst, 1510" on the front and "Rubbing.8" on the back&#13;
&#13;
Description of Rubbing: She is facing right with her hands in prayer. She has a long detailed dress with slight cross hatched shading, folds and pleats in the skirt and no feet are showing. The sleeves are tight to her arms with details around the wrist. &#13;
&#13;
There is a detailed belt that hangs down the front of the dress almost to the floor with tassels on the end. Her wimple is long past her shoulders and looks as if there is a lace or detailed trim that matches the belt. &#13;
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Matches Rubbing2024.61 and Rubbing2024.60 - they are very similar but not identical. She is one of John Wybarne's wives either Edith or Agnes, it does not signify who was on the left or right of him.   </text>
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                <text>Monumental Brass Society. 2025. "John Wybarne | Portfolio of Brasses | Monumental Brass Society." Monumental Brass Society. 2025. https://www.mbs-brasses.co.uk/index-of-brasses/john-wybarne.</text>
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&#13;
Notes on the Parchment: "Denham, Agnes Jordan last Abbess of Syon, 1544, in her habit" on the front and "Rubbing.1" on the back &#13;
&#13;
Description of Rubbing: She is facing forward with her hands in prayer. &#13;
&#13;
She is wearing a wimple covering her hair and a gorget under her chin. She has a cloak and a long dress with large sleeves and a lot of pleats or folds. She is also wearing a belt. &#13;
&#13;
Her feet are not visible. There is a lot of detail in her facial features and in the shading throughout. She has 3 rings on.</text>
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                <text>Monumental Brass Society. 2025. "Agnes Jordan | Portfolio of Brasses | Monumental Brass Society." Monumental Brass Society. 2025. https://www.mbs-brasses.co.uk/index-of-brasses/agnes-jordan.</text>
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&#13;
Description of Rubbing: She is facing forward with her hands in prayer. She has a wimple covering her hair and a detailed gorget worn on her chin and going down her neck. &#13;
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There is a rope that lays around her neck and down her front with the two ends stopping past her hips. She has a long flowy dress with extra fabric at the bottom and folds, as well as a robe or cloak. </text>
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                <text>Stephenson, Mill. 1926. A List of Monumental Brasses in the British Isles. Internet Archive. Devonshire Street, London: Headley Brothers. https://archive.org/stream/b29828302/b29828302_djvu.txt.</text>
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                <text>Hamline University Archives. 2025. "Anne a Wode." Hamline Digital Collections. Hamline University Library and Archives. 2025. &#13;
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Harraden, Gertrude. 1893. "On Brasses and Brass Rubbing." The Girl's Own Paper 14.&#13;
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Monumental Brass Society. 2020. "Anne a Wode | Portfolio of Brasses | Monumental Brass Society." Monumental Brass Society. 2020. https://www.mbs-brasses.co.uk/index-of-brasses/anne-a-wode.&#13;
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