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            <name>Title</name>
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                <text>Aspen Magazine, No. 8: The Fluxus Issue</text>
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                <text>Fluxus (art movement), conceptual art, Intermedia (Art),  Artist's  periodicals, 1970s avant-garde</text>
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            <description>An account of the resource</description>
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                <text>Issue No. 8 of Aspen Magazine, known as the Fluxus Issue, was guest edited by  Dan Graham and George Maciunas. It embodies the intermedia aesthetic of Fluxus through conceptual instructions, scores, a vinyl record and printed works. The issue's contents blur the boundaries between magazine, art collection and exhibition, reflecting the Fluxus commitment to merging art and life through participatory and ephemeral forms. </text>
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                <text>Edited by Dan Graham and George Maciunas</text>
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                <text>Original issue form the collection of the University of Toronto's Art History Library </text>
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                <text>Roaring Fork Pres (New York, N.Y.)</text>
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                <text>Fall-Winter 1970-1971</text>
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                <text>George Maciunas, David Antin, Terry Atkinson, Michael Baldwin, Phillip Glass, Jackson Mac Low, Richard  Sara, Steve Reich, La Monte Yong, Yvonne Rainer, Jo Baer,  Dennis Oppenheim, Robert Smithson, Edward, Ruscha</text>
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                <text>Part of: Aspen Magazine (1965-1971); Related to Fluxus works and works by George Maciunas.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Multiple  media in box format: printed cards, posters, flexi-disc, and other ephemera.</text>
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            <description>A language of the resource</description>
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                <text>Temporal: 1965-1971&#13;
Spatial: New York, N.Y. Aspen, CO.</text>
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>Section 8: Three Distributions</text>
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              <text>Rainer, Yvonne, 1934-</text>
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              <text> Double-sided folded sheet; Schematic diagrams; Printed text; Photographic reproductions; Mixed media document</text>
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Temporal: 1965-1971&#13;
Spatial: New York, N.Y. Aspen, CO.</text>
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              <text>Roaring Fork Pres (New York, N.Y.)</text>
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              <text>Postmodern dance; Choreography; Performance art; Dance notation; Movement analysis; Schematic drawings; Judson Dance Theater; Pedestrian movement; Task-based performance; Minimalist dance; Experimental performance; Dance photography; Performance documentation</text>
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              <text>A double-sided folded sheet presenting three interconnected works documenting Yvonne Rainer's choreographic practice and performance concepts. The retro side contains "People Plan," a series of schematic drawings mapping spatial relationships and movement patterns for performers, and "Lecture on moving," a theoretical text articulating Rainer's approach to choreography and the body's relationship to space and action. The verso side features "Selection of Slides from 'North East Passing'," photographic documentation from a 1969 performance at Billy Rose Theater that incorporated slides as visual material within the live performance. Rainer, a founding member of the Judson Dance Theater collective and pioneer of postmodern dance, developed a choreographic methodology that rejected traditional dance virtuosity and theatrical drama in favor of everyday movements, task-based structures. Her work challenged hierarchical distinctions between trained and untrained performers and questioned conventional relationships between performer and spectator. These three distributions exemplify Rainer's practice of combining movement, text, and visual documentation to examine the fundamental elements of performance and perception.</text>
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              <text>Graham, Dan, 1942-2022 (Editor); Maciunas, George, 1931-1978 (Designer); Johnson, Phyllis, 1926-2001 (Publisher); Judson Dance Theater (Associated collective)</text>
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              <text>Is part of Aspen Magazine No. 8 (Fall-Winter 1970-1971); Created by founding member of Judson Dance Theater (active 1962-1964); Related to Rainer's performance practice of incorporating slides and film into live performances (begun 1968); Connected to Rainer's films 1966-1969; Part of postmodern dance movement; Associated with Grand Union improvisation group; Influenced by John Cage's experimental methods through Robert Ellis Dunn's composition classes</text>
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              <text> Choreographic documentation; Performance score; Dance notation; Schematic drawings; Theoretical text; Performance photographs; Artist's multiple</text>
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              <text>Fall-Winter 1970-1971</text>
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