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            <name>Title</name>
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                <text>Aspen Magazine, No. 8: The Fluxus Issue</text>
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                <text>Fluxus (art movement), conceptual art, Intermedia (Art),  Artist's  periodicals, 1970s avant-garde</text>
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            <description>An account of the resource</description>
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                <text>Issue No. 8 of Aspen Magazine, known as the Fluxus Issue, was guest edited by  Dan Graham and George Maciunas. It embodies the intermedia aesthetic of Fluxus through conceptual instructions, scores, a vinyl record and printed works. The issue's contents blur the boundaries between magazine, art collection and exhibition, reflecting the Fluxus commitment to merging art and life through participatory and ephemeral forms. </text>
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                <text>Edited by Dan Graham and George Maciunas</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Original issue form the collection of the University of Toronto's Art History Library </text>
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                <text>Roaring Fork Pres (New York, N.Y.)</text>
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                <text>Fall-Winter 1970-1971</text>
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                <text>George Maciunas, David Antin, Terry Atkinson, Michael Baldwin, Phillip Glass, Jackson Mac Low, Richard  Sara, Steve Reich, La Monte Yong, Yvonne Rainer, Jo Baer,  Dennis Oppenheim, Robert Smithson, Edward, Ruscha</text>
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                <text>Part of: Aspen Magazine (1965-1971); Related to Fluxus works and works by George Maciunas.</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Multiple  media in box format: printed cards, posters, flexi-disc, and other ephemera.</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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            <description>The nature or genre of the resource</description>
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                <text>Text;  Image; Sound; Physical Object</text>
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                <text>Temporal: 1965-1971&#13;
Spatial: New York, N.Y. Aspen, CO.</text>
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              <text>Section 10:  Introduction to the Yong Turtle Asymmetries  </text>
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              <text>Mac Low, Jackson, 1922-2004</text>
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              <text>Pamphlet</text>
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              <text>||||osm&#13;
Temporal: 1965-1971&#13;
Spatial: New York, N.Y. Aspen, CO.</text>
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              <text>Roaring Fork Pres (New York, N.Y.)</text>
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              <text>Experimental poetry; Chance operations; Performance poetry; Simultaneous performance; Nonstanzaic poetry; Aleatory composition; Fluxus; Language poetry; Indeterminate music; Sound poetry; Acrostic procedures; Nonintentional composition; Poetry scores; Turtle biology; Scientific sources in poetry</text>
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              <text>An explanatory text printed on five detachable cards that provides instructions and contextual information for performing chance-generated poems designed for simultaneous reading by multiple voices. The work documents Mac Low's compositional methodology for creating the "Young Turtle Asymmetries," poems generated through systematic chance operations using source material derived from scientific descriptions of turtle mating habits and life cycles. Mac Low employed what he termed "acrostic reading-through nonintentional text-selection procedures," wherein objective systems rather than authorial intention determine the selection and arrangement of linguistic units from existing texts. The poems are described as nonstanzaic, meaning they lack traditional stanza structure, and are notated as performance scores requiring five simultaneous readers whose voices overlap and interact to create complex sonic textures. This introduction accompanies the audio recording on Section 5 (the flexidisc), where the asymmetries are performed by Carol Berge, Spencer Holst, Iris Lezak Mac Low, and Anne Waldman. Mac Low's work, influenced by John Cage's experimental music and informed by Buddhist philosophy and anarchist-pacifist politics, challenges conventional notions of authorship and meaning-making in poetry by removing ego and intentionality from the creative process.</text>
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              <text>Fall-Winter 1970-1971</text>
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              <text>Graham, Dan, 1942-2022 (Editor); Maciunas, George, 1931-1978 (Designer); Johnson, Phyllis, 1926-2001 (Publisher); Berge, Carol (Performer, Section 5 recording); Holst, Spencer (Performer, Section 5 recording); Mac Low, Iris Lezak (Performer, Section 5 recording); Waldman, Anne, 1945- (Performer, Section 5 recording)</text>
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              <text>Is part of Aspen Magazine No. 8 (Fall-Winter 1970-1971); Explains performance on Section 5 flexidisc recording; Part of "Asymmetries 1-501" series (1960-1961); Subset published as "Asymmetries 1-260: The First Section of a Series of 501 Performance Poems" (Printed Editions, 1980); Connected to Mac Low's co-publication with La Monte Young of "An Anthology of Chance Operations" (1963); Influenced by John Cage, Earle Brown, Christian Wolff; Associated with Fluxus movement; Preceded Language poetry movement</text>
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              <text>English</text>
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              <text>Performance instructions; Poetry score; Explanatory text; Artist's documentation; Compositional notes</text>
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