https://exhibits.library.utoronto.ca/files/original/476a4df2648828085c92a580ab95524a.jpg 88ce1ab238e04d062d38ff8628490e27 https://exhibits.library.utoronto.ca/files/original/b53d9c4ae12a5598dc41a7899229bd25.jpg ed9b9d15772dca38c1f78d35566f139e https://exhibits.library.utoronto.ca/files/original/07d971d63ea65f5e0f46fe7ed1175ca4.jpg 6f29fd25f0e195801a8e126e7e2aabb3 https://exhibits.library.utoronto.ca/files/original/d520f2cb14b2e3fbbdd9bb0efec7479d.jpg ecf114d91b311b5d08ef730f45098dcf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aspen Magazine, No. 8: The Fluxus Issue Subject The topic of the resource Fluxus (art movement), conceptual art, Intermedia (Art), Artist's periodicals, 1970s avant-garde Description An account of the resource Issue No. 8 of Aspen Magazine, known as the Fluxus Issue, was guest edited by Dan Graham and George Maciunas. It embodies the intermedia aesthetic of Fluxus through conceptual instructions, scores, a vinyl record and printed works. The issue's contents blur the boundaries between magazine, art collection and exhibition, reflecting the Fluxus commitment to merging art and life through participatory and ephemeral forms. Creator An entity primarily responsible for making the resource Edited by Dan Graham and George Maciunas Source A related resource from which the described resource is derived Original issue form the collection of the University of Toronto's Art History Library Publisher An entity responsible for making the resource available Roaring Fork Pres (New York, N.Y.) Date A point or period of time associated with an event in the lifecycle of the resource Fall-Winter 1970-1971 Contributor An entity responsible for making contributions to the resource George Maciunas, David Antin, Terry Atkinson, Michael Baldwin, Phillip Glass, Jackson Mac Low, Richard Sara, Steve Reich, La Monte Yong, Yvonne Rainer, Jo Baer, Dennis Oppenheim, Robert Smithson, Edward, Ruscha Relation A related resource Part of: Aspen Magazine (1965-1971); Related to Fluxus works and works by George Maciunas. Format The file format, physical medium, or dimensions of the resource Multiple media in box format: printed cards, posters, flexi-disc, and other ephemera. Language A language of the resource English Type The nature or genre of the resource Text; Image; Sound; Physical Object Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Temporal: 1965-1971 Spatial: New York, N.Y. Aspen, CO. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Section 11: Cancelled Crop Creator An entity primarily responsible for making the resource Oppenheim, Dennis, 1938-2011 (Primary artist/author); Morris, Robert, 1931-2018 (Contributing artist) Format The file format, physical medium, or dimensions of the resource Double-sided printed sheet; Photographs; Maps; Text descriptions; Mixed media documentation Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Temporal: 1965-1971 Spatial: New York, N.Y. Aspen, CO. Publisher An entity responsible for making the resource available Roaring Fork Pres (New York, N.Y.) Subject The topic of the resource Land art; Earth art; Earthworks; Environmental art; Conceptual art; Process art; Site-specific art; Agricultural intervention; Mapping; Documentation photography; Anti-form; Exchange and transference; Large-scale environmental projects; Post-minimalism Description An account of the resource A double-sided printed sheet documenting proposals and descriptions for large-scale environmental art projects that intervene in the landscape outside traditional gallery settings. The recto side features "Cancelled Crop," Dennis Oppenheim's 1969 executed earthwork in Finsterwolde, Holland, where a farmer seeded a 154 by 267 meter wheat field following a scaled-down route (reduced by factor of six) between the field and the nearest grain storage silo in Nieuweschans. When mature, the wheat was harvested in a giant X configuration, a symbol Oppenheim frequently employed, and withheld from processing, thereby removing it from both agricultural function and exchange value to exist purely as art. Additional texts include "Forest Project" and "Notes on Ecologic Projects" by Oppenheim, which elaborate his theoretical approach to environmental interventions. The verso side presents Robert Morris's "Los Angeles Project," another large-scale environmental proposal. These works exemplify the land art movement's rejection of traditional museum and gallery contexts, using the earth itself as medium and canvas while documenting ephemeral interventions through photography, maps, and descriptive text that become the permanent record of temporary actions performed in real time and actual space. Date A point or period of time associated with an event in the lifecycle of the resource Fall-Winter 1970-1971 Contributor An entity responsible for making contributions to the resource Graham, Dan, 1942-2022 (Editor); Maciunas, George, 1931-1978 (Designer); Johnson, Phyllis, 1926-2001 (Publisher); Waalken, Albert (Farmer who executed Oppenheim's Cancelled Crop) Relation A related resource Is part of Aspen Magazine No. 8 (Fall-Winter 1970-1971); Part of land art movement alongside Robert Smithson's Spiral Jetty (1970), Michael Heizer, Walter de Maria; Connected to Oppenheim's other earthworks: Annual Rings (1968), Land Slide (1968), Salt Flat, Branded Mountain (1969); Related to Morris's earthworks: Earth Project (1968, Illinois), Observatory Project (1971, Netherlands), Johnson Pit #30 (1979, Washington); Contemporaneous with "Earthworks" exhibition themes; Associated with Process art and Anti-form movements Language A language of the resource English Type The nature or genre of the resource Artist's documentation; Project proposals; Photographic documentation; Descriptive text; Earthwork documentation; Conceptual art proposal