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                <text>Aspen Magazine, No. 8: The Fluxus Issue</text>
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                <text>Fluxus (art movement), conceptual art, Intermedia (Art),  Artist's  periodicals, 1970s avant-garde</text>
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                <text>Issue No. 8 of Aspen Magazine, known as the Fluxus Issue, was guest edited by  Dan Graham and George Maciunas. It embodies the intermedia aesthetic of Fluxus through conceptual instructions, scores, a vinyl record and printed works. The issue's contents blur the boundaries between magazine, art collection and exhibition, reflecting the Fluxus commitment to merging art and life through participatory and ephemeral forms. </text>
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                <text>Edited by Dan Graham and George Maciunas</text>
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                <text>Original issue form the collection of the University of Toronto's Art History Library </text>
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                <text>Roaring Fork Pres (New York, N.Y.)</text>
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                <text>Fall-Winter 1970-1971</text>
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                <text>George Maciunas, David Antin, Terry Atkinson, Michael Baldwin, Phillip Glass, Jackson Mac Low, Richard  Sara, Steve Reich, La Monte Yong, Yvonne Rainer, Jo Baer,  Dennis Oppenheim, Robert Smithson, Edward, Ruscha</text>
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                <text>Part of: Aspen Magazine (1965-1971); Related to Fluxus works and works by George Maciunas.</text>
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                <text>Multiple  media in box format: printed cards, posters, flexi-disc, and other ephemera.</text>
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                <text>Temporal: 1965-1971&#13;
Spatial: New York, N.Y. Aspen, CO.</text>
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              <text>Section 5: Young Turtle Asymmetries&#13;
Side A: Young Turtle Asymmetries&#13;
Side B: Drift Study 31 I 69 Ca. 12:17:33-22:17:33 PM</text>
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              <text>Mac Low, Jackson, 1922-2004 (Composer/Poet, Side A); Young, La Monte, 1935- (Composer, Side B)</text>
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              <text> 8-inch square flexidisc; 33⅓ RPM; Two-sided recording</text>
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              <text>Experimental music; Minimalist music; Chance operations; Drone music; Sound poetry; Just intonation; Sine wave composition; Language poetry; Fluxus; Avant-garde music; Sustained tones; Electronic music; Conceptual music; Performance art</text>
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              <text>Experimental music; Minimalist music; Chance operations; Drone music; Sound poetry; Just intonation; Sine wave composition; Language poetry; Fluxus; Avant-garde music; Sustained tones; Electronic music; Conceptual music; Performance art</text>
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              <text> Fall-Winter 1970-1971</text>
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              <text>Graham, Dan, 1942-2022 (Issue Editor); Maciunas, George, 1931-1978 (Issue Designer); Johnson, Phyllis, 1926-2001 (Publisher); Berge, Carol (Performer, Side A); Holst, Spencer (Performer, Side A); Mac Low, Iris Lezak (Performer, Side A); Waldman, Anne, 1945- (Performer, Side A); Zazeela, Marian, 1940- (Collaborator with</text>
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              <text>Is part of Aspen Magazine No. 8 (Fall-Winter 1970-1971); Mac Low's "Young Turtle Asymmetries" part of "Asymmetries 1-501" series; Young's "Drift Study" part of "Map of 49's Dream The Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery" (begun 1966), itself subsection of "The Tortoise, His Dreams and Journeys" (begun 1964); Mac Low co-published "An Anthology of Chance Operations" with La Monte Young (1963); Mac Low influenced by John Cage, early Fluxus affiliate, progenitor of Language poetry; Young pioneered minimalism, influenced Velvet Underground, Brian Eno, collaborated with Marian Zazeela on Dream House installations (first: Church Street, September 1966-January 1970)</text>
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              <text>Sound recording; Flexidisc; Phonograph record; Experimental music; Sound poetry; Drone composition; Chance composition; Audio artwork</text>
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Temporal: 1965-1971&#13;
Spatial: New York, N.Y. Aspen, CO.</text>
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