https://exhibits.library.utoronto.ca/files/original/67a5c35e2d491282a6f1b864384783ad.jpg b5ebe8ffdfcf55bcec2e79048fe182df https://exhibits.library.utoronto.ca/files/original/069c0f66cc5f09a435b91dbbf46800b2.jpg 94c84c0d7aefb83203fda513d447ef60 https://exhibits.library.utoronto.ca/files/original/43b09826ce0ac36c7b4645550dd2a7ec.mp3 d7f6cedc157432a7975926ae3d5f1d02 https://exhibits.library.utoronto.ca/files/original/78ec3f2eda82fdc01add1d372d5e9dc5.mp3 7ec1f4aff2929584af88cfaabdd469f7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aspen Magazine, No. 4: The McLuhan Issue Subject The topic of the resource Marshall McLuhan; Mass media; Electronic media; Communication theory; Media ecology; 1960s counterculture; Multimedia publishing; Experimental magazines Description An account of the resource A multimedia magazine presented in a hinged box featuring nine numbered items including a flexidisc recording of electronic music, fold-out posters, essays, and advertisements. This issue was inspired by Canadian media theorist McLuhan, Marshal and reflects certain themes of his work. The box is illustrated with a circuit board diagram and wraparound text from McLuhan and Fiore's "The Medium is the Massage." Creator An entity primarily responsible for making the resource Johnson, Phyllis (Publisher/Editor); Fiore, Quentin (Designer); McLuhan, Marshall (Featured Subject) Source A related resource from which the described resource is derived Original issue form the collection of the University of Toronto's Art History Library Publisher An entity responsible for making the resource available Roaring Fork Pres (New York, N.Y.) Date A point or period of time associated with an event in the lifecycle of the resource Spring 1967 Relation A related resource Part of: Aspen Magazine (1965-1971); Related to Fluxus works and works by Marshall McLuhan. Format The file format, physical medium, or dimensions of the resource Box with mixed media components: printed materials, flexidisc recording, posters, booklets; Box dimensions: 9.5 x 12 x 0.75 inches Language A language of the resource English Type The nature or genre of the resource Text; Image; Sound; Physical Object Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Temporal: 1965-1971 Spatial: New York, N.Y. Aspen, CO. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Section 6: A Sampler of Electronic Music Side A: In Memoriam Edgar Varèse Side B: Horn Creator An entity primarily responsible for making the resource Davidovsky, Mario, 1934-2019 (Composer, Side A); Mumma, Gordon, 1935- (Composer/Performer, Side B) Subject The topic of the resource Electronic music; Experimental music; Varèse, Edgard, 1883-1965--Influence; Tape music; Live electronic music; Chance operations; Cybersonic console; French horn; Electroacoustic music; Sound art; Columbia-Princeton Electronic Music Center Description An account of the resource A 33 1/3 RPM flexidisc recording presenting two contrasting approaches to electronic music composition. Side A features a studio-created magnetic tape piece composed at the Columbia-Princeton Electronic Music Center, where all sounds were generated and manipulated entirely by the composer in the tape studio setting. Side B presents a live-performance work utilizing chance operations in which a French horn equipped with a specialized mute containing a microphone feeds sound through two cybersonic consoles operated by performers who shape the composition during each performance based on parameters established by the composer. This results in a work that varies with each performance, reflecting John Cage's influence on indeterminate music. Publisher An entity responsible for making the resource available Roaring Fork Press, New York City; AMERICOM (Record label) Date A point or period of time associated with an event in the lifecycle of the resource Spring 1967 Contributor An entity responsible for making contributions to the resource Ashley, Robert (Electronics/Cybersonic console operator, Side B); Cacioppo, George (Electronics/Cybersonic console operator, Side B); Columbia-Princeton Electronic Music Center (Recording facility, Side A); ONCE Group (Mumma's performance ensemble); Sonic Arts Group (Mumma's performance ensemble); Merce Cunningham Dance Company (Mumma's associated ensemble); Marks Music Corporation (Publisher/rights holder, Side A) Relation A related resource Is part of Aspen Magazine No. 4 (Spring 1967); Side A created at Columbia-Princeton Electronic Music Center; Side B associated with ONCE Group theater ensemble and Sonic Arts Group; References and memorializes Edgard Varèse (1883-1965) Format The file format, physical medium, or dimensions of the resource 7-inch flexidisc (flexible phonograph record); 33 1/3 RPM; Two-sided recording Language A language of the resource English Type The nature or genre of the resource Sound recording; Flexidisc; Phonograph record; Audio artwork; Experimental music recording Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm Temporal: 1965-1971 Spatial: New York, N.Y. Aspen, CO.