Poster for the Sixth Annual New York Avant Garde Festival: A Parade, organized and directed by Charlotte Moorman in 1968. The event took the form of a live procession through New York City streets, merging avant-garde performance, music, and public…
Promotional poster for the Festival of the Avant Garde ’64, organized by Norman J. Seaman in association with Charlotte Moorman. The festival featured a lineup of leading experimental artists and composers including Robert Ashley, John Cage, Morton…
Promotional poster for the Festival of the Avant Garde, presented by Norman J. Seaman in association with Charlotte Moorman, held at The Central Park Conservatory Pond, New York, September 9, 1966. The festival featured an extensive roster of…
Promotional poster for the Festival of the Avant Garde, held in New York City,
1965. Presented by Norman J. Seaman in association with Charlotte Moorman, the festival featured performances by numerous avant-garde composers and performers, including…
Promotional poster for the 2nd Annual New York Avant Garde Festival, held at Judson Hall (165 W 57th St, New York City) from August 30 to September 13, 1964. The festival featured performances by Charlotte Moorman, Robert Ashley, Gordon Mumma, and…
Promotional posters announcing a six-part concert series titled Six Concerts of the Avant Garde, organized by Norman J. Seaman in association with Charlotte Moorman. The series features works by David Behrman, Earle Brown, John Cage, Philip Corner,…
A single photographic image extracted from Edward Ruscha's seminal artist's book "Thirtyfour Parking Lots in Los Angeles" (1967), presented as Section 13 of this issue. The photograph is an aerial view of a parking lot, captured from above to reveal…
A printed subscription order form for Aspen Magazine, the final section (Section 14) included in this issue. This piece of ephemera represents a functional element of magazine distribution and marketing, providing readers with the means to subscribe…
A text work exploring the intersection of geology, photography, and artistic fiction, created by the pioneering land artist best known for Spiral Jetty. The piece unfolds as a large four-panel folded poster that combines theoretical writing with…
A double-sided printed sheet documenting proposals and descriptions for large-scale environmental art projects that intervene in the landscape outside traditional gallery settings. The recto side features "Cancelled Crop," Dennis Oppenheim's 1969…
An explanatory text printed on five detachable cards that provides instructions and contextual information for performing chance-generated poems designed for simultaneous reading by multiple voices. The work documents Mac Low's compositional…
A twenty-page theoretical essay examining the physiological and psychological principles underlying visual perception, specifically focusing on the optical phenomenon known as Mach bands. Named after nineteenth-century Austrian physicist Ernst Mach,…
A double-sided folded sheet presenting three interconnected works documenting Yvonne Rainer's choreographic practice and performance concepts. The retro side contains "People Plan," a series of schematic drawings mapping spatial relationships and…
A theoretical text documenting Young's sustained tone compositions and sound installation concepts using electronically generated sine waves tuned to precise frequency ratios based on just intonation principles. The notes explain the realization of…
A double-sided printed sheet presenting two related process-based artworks that explore physical phenomena through artistic means. Side A contains a textual proposal for an unrealized sculptural work involving molten lead dropped from extreme heights…
A musical score for solo performer using an amplified tabletop as the sole instrument, composed in 1968 and representing a pivotal work in Philip Glass's early minimalist period. The composition employs Glass's signature additive process, derived…
