Browse Exhibits (14 total)
"Discrimination on the basis of class, race, ethnic origin and sex," writes legal historian Constance Backhouse, has been "a hallmark of the Canadian legal response to prostitution." Long before the Canadian government's passage of Bill C-36 in 2014, numerous laws have attempted to end "the world's oldest profession" in Canada. Beyond stopping the exchange of money for sex, however, these laws have also frequently been used to police a range of communities based on hierarchies of race, class, gender and sexuality.
Moral reformer (right) harassing a sex worker (left) in a red light district
This digital exhibit complements and expands upon the exhibition, Canada's Oldest Profession: Sex Work and Bawdy House Legislation, on display in Robarts Library, 1st floor exhibition space, from March 8th to June 1st, 2016. It includes material featured in the exhibit and additional information related to the topic of the history of sex work and bawdy house legislation in Canada. The exhibit is sponsored by the University of Toronto Libraries, the Departments of History, and Sexual Diversity Studies.
This Exhibit explores the intersection between Canadian law and Canadian identity (understood broadly to include dimensions such as culture, language, geography, race, ethnicity, and religion). We consider how Canadian law has shaped conceptions of what Canada is and what a Canadian looks like, thinks, and says. We also consider how Canada's history, geography, culture, and demographics have shaped Canadian law.
As Canada celebrates the 150th anniversary of Confederation, we offer you a tangled set of stories about how law has shaped a country and how a country and its people have shaped law. We are unable to say with any certainty or authority what it means to be "Canadian". Perhaps the most important pattern to note is a general willingness in this country to have difficult conversations and to leave room for disagreement, even disagreements about what it means to be Canadian.
The year 2016 marked the 150th anniversary of the publication of Fyodor M. Dostoevsky’s seminal novel, Crime and Punishment (1866). A revelation when it first appeared in Moscow on the pages of the journal Russian Messenger, it continues to provide readers unparalleled insight into the individual’s role and moral responsibility in society. Following the murderous aspirations of the novel’s protagonist, former student Raskolnikov, we are confronted with the struggle of reconciling rationalist action with the human conscience, and witness one of Russia’s greatest artists at the peak of his success.
To commemorate Crime and Punishment’s resounding triumph and influence, a two month exhibition was held at John P. Robarts Research Library, University of Toronto, from October 3-November 30, 2016. Through the theme of “Global Contexts” it sought to celebrate the novel’s international reception and propagation, highlighting the rich variety of the collection held by the University of Toronto Libraries and the relevance of the holdings to interdisciplinary research and teaching.
This online exhibition offers an interactive platform through which to engage with the materials showcased, and support the continuing study of the novel across the boundaries of nation, language, and media. Over twenty countries are represented, and each category of materials offers a different genre in which to appreciate the novel: translation; art and illustration; belles-lettres and popular fiction; film, stage, and music; and literary criticism. Each item symbolizes the interminable relevance of Dostoevsky’s work, and emphasizes key threads of his thought that hold special significance for the development of culture world-wide.
The Robarts Library exhibition formed part of a SSHRC funded outreach project, Crime and Punishment at 150. Sponsors include the Petro Jacyk Central & East European Resource Centre, and the Department of Slavic Languages and Literatures. The original exhibition was curated by Professor Kate Holland and Ph.D. candidate Barnabas Kirk. This online platform was developed by Barnabas Kirk in conjunction with University of Toronto Libraries.
The curators would like to thank the following individuals at the University of Toronto Libraries for their cooperation: Ksenya Kiebuzinski for coordinating the planning, installation, and publicity for the exhibition; Jack Leong and members of the International and Community Outreach Coordinating Group for logistical support; Maureen Morin for creating the exhibition poster; Fabiano Rocha, Hana Kim, Miguel Torrens, Jihae Chun, Helen Tang, and Alex Averbuch for acquiring and/or describing several items on display; Wasyl Sydorenko for editorial and design assistance; Leslie Barnes for her technical assistance with the virtual display; and Megan Campbell and Milena Djokic for organizing the opening reception. Particular thanks is also owed to Dostoevsky scholars from across the globe for their valuable guidance, including Stefano Aloe (University of Verona, Italy), Sharon Lubkemann Allen (State University of New York, USA), and Bruno Barreto Gomide (University of São Paulo, Brazil)
The Dentistry Library celebrates its 120th year in 2017.
From rare books, to e-books, to dental artifacts, the Dentistry Library offers a unique look at the profession, past and present. Explore our collections and history here. In this space you will find a brief description of what the library collection was like in 1897 and what it is today. In addition, on the left hand side there are brief biographies of the faculty members in charge of overseeing the library's collections prior to the hiring of the first dental librarian, Ms. Phillis Smith, in 1954.
Dr. Tony Pawson (1952-2013) revolutionized our understanding of the way our cells work in health and in disease. His discoveries contribute to every aspect of medical research and have relevance for the understanding and treatment of a host of diseases including cancer, diabetes, and disorders of the immune system. In the 25 years he spent studying how cells grow and communicate with each other, he became a world leader and one of the top 25 cited scientists in his field.
The Global Summitry Archive, created by the Global Summitry Project (GSP) at the Munk School of Global Affairs at the University of Toronto, aims to collect and preserve publicly accessible information and websites related to global summits, including leader and other officials’ meetings and conferences.
Governments and international institutions are increasingly using websites as their primary means for disseminating information about meetings, conferences, and summits. On the other hand, there is a lack of a centralized effort to capture and preserve content that has been published online.
The Global Summitry Archive has been created to serve as an unofficial secretariat for all digital content related to global governance with a two-pronged focus on preservation and accessibility. In terms of preservation, the Archive aims to collect – as completely as possible – all online information related to global governance. In terms of accessibility, the Archive will remain publicly accessible and is designed to accommodate keyword searches to allow users to quickly find the information they are looking for.
Using Archive-It, a web-archiving service provided by The Internet Archive, the Global Summitry Project has successfully preserved 125 websites containing over 3 million documents. The collection will continue to grow as more websites and content is published online.
The Global Summitry Project welcomes feedback and suggestions. If there is a website we haven’t captured that you think we should – let us know.
Click here to access the Global Summitry Archive.
Intended to instill a sense of communal national pride, “O Canada” occupies a significant place in the Canadian public’s imagination. Played in schools and sung at sporting events nationwide, many Canadians know the melody and lyrics by heart. However, few are aware of the national anthem’s colourful history.
In the following exhibit, you will discover the compositional context of “O Canada” and examine different versions of the piece from our library’s extensive Canadian Sheet Music Collection. A historical narrative of the anthem will be traced, delving into the nineteenth century French Canadian origins of the piece and the struggle for English lyrical uniformity. The exhibit concludes by scrutinizing the issues facing us as twenty-first century Canadians, as we strive to establish a version of our national anthem that better reflects the rich diversity of our country, its people, and environment.
Please stop by the University of Toronto Faculty of Music to see the physical exhibit, which begins in the lobby and continues downstairs in the displays outside the library.
This exhibit is comprised of 30 photographs drawn from the University of Toronto Archives, the Thomas Fisher Rare Book Library, the Hospital for Sick Children Archives and the grandson of John Gerald FitzGerald.
Since the fall of 2014 they have hung in the Gerstein Reading Room at 9 King's College Circle on the St. George campus of the University of Toronto. The photographs represent the varied and significant contributions of faculty members of the University of Toronto in the fields of science and medicine. It is hoped that these photographs both honour those represented and inspire those who see them.
In Toronto, on January 3-5, 1867, the first meeting of dentists occurred at the Queen's Hotel with the goal to establish the Ontario Dental Association (ODA). The efforts of the first members of the ODA resulted in the passing of the ‘Act Respecting Dentistry’ in 1868. This legislation permitted dentists to regulate their profession and create a dental school to ensure proper training of dental practitioners. After a few attempts, the first dental school in Ontario was opened in 1875. It is currently known as the Faculty of Dentistry, University of Toronto. This space provides a brief biography of the nine dentists in attendance at the first meeting in 1867. In addition, you will find a summary of some popular dental topics in the late nineteenth century.
Pierson v. Post has been made famous by its use in American property law classrooms since the 1950s. It is often the first case law students study in property as it provides an introduction to the concept of first possession and how one acquires possession in a wild animal, the fox, owned by no one.
The case report reproduced in law school casebooks was created by New York’s first official law reporter George Caines after the case was argued by eminent counsel and reversed in Pierson’s favor at the New York Supreme Court. What law students generally read is a brief statement of the facts, followed the majority decision by Justice Daniel Tompkins and a dissent by Justice Brockholst Livingston.
The Judgment Roll is a copy — probably made by the clerk of Pierson’s lawyer Nathan Sanford — of the documents Sanford filed in his writ of certiorari to the New York Supreme Court. This was a process in which the loser before a Justice of the Peace could appeal the decision by asking for the New York Supreme Court to command that the Justice of the Peace explain what had been done before him in the magistrate’s court, in this case a jury trial held at Post’s request on December 30, 1802, for their review. It was the job of the New York Supreme Court to check, yes, all the ‘i’s were dotted and ‘t’s were crossed in the magistrate’s proceedings and if they were not, Pierson (the “now plaintiff” before the New York Supreme Court) was justified in winning a reversal of the jury’s 75¢ award for Post and his $5 in costs. The Judgment Roll also includes the command to Justice of the Peace John N. Fordham to return the documentation, Sanford’s six specific grounds of appeal, as well as the words the New York Supreme Court used in order to hold the case over from year to year until it was ultimately decided in Pierson’s favor on September 10, 1805. Sanford then filed this copy of all of the documents (those provided by Fordham, his own, and the New York Supreme Court) as the “Record” in the case on the same day.
This judgment roll was found by University of Toronto law professor and legal historian Angela Fernandez at the Division of Old Records, New York County Clerk’s Office in New York City in May 2007.
Each page of the judgment roll is reproduced with an accompanying transcript prepared by Professor Fernandez.
It has subsequently disappeared but a dataset was created to preserve the images and make them publicly available. You can find it here. A transcript of the Judgment Roll is also available as an appendix in Angela Fernandez, Pierson v. Post, the Hunt for the Fox: Law and Professionalization in American Legal Culture (New York: Cambridge University Press, 2017).
Running Fox by Paul de Vos, courtesy of Museo Nacional del Prado.