Fluxus Cookie added by Margaret English at The Department of Art History at The University of Toronto in 2026, as per instructions on the manifest:
ET PUISQUE TOUT EST MUSIQUE, TOUT EST PEINTURE, TOUT EST A FLUXUS, AJOUTEZ A CETTE BOITE VOTRE PROPRE…
Exhibition graphic for Fluxus & Chaos: une histoire qui n'a pas d'importance, Espace lyonnais d'art contemporain, Lyon, April 1979. Features the distinctive Maciunas Fluxus logotype with alternating uppercase and lowercase letterforms within the…
Invitation for Fluxus International & Cº, Galerie d'Art Contemporain des Musées de Nice, 59 Quai des États-Unis. Issued under the authority of Mayor Jacques Médecin. Opening: Thursday 5 July 1979 at 9pm with Action Fluxus at 9:30pm; official…
A cream card bearing only the word FOURCHETTE (fork) in bold sans-serif type. This is the paper fork of the manifest title, in which language substitutes entirely for the physical object it names. Formally consistent with George Brecht's Water Yam…
Robert Watts (1923–1988) was an American artist and central figure of the Fluxus movement, known for his incisive humour, conceptual clarity, and radical rethinking of the everyday object. Trained as a scientist before turning to art, Watts brought…
Mieko Shiomi was trained as a musician, graduating from the Tokyo National University of Fine Arts and Music in 1961. In 1964 she travelled to New York where she met George Maciunas, Dick Higgins, Alison Knowles, Nam June Paik and Ay-O, and…
A magazine published by the Department of Language and Literary Studies at the University of Siegen. Nr. 1 concerns Football (Fußball), Frankfurt, Galerie Patio Verlag (1968), 38 unnumbered pages.
While it is difficult to confirm the exact identity of this work as it bares no inscription, signature, or accompanying documentation, however stylistically and contextually the image may well be a score by Giuseppe Chiari, the Florentine composer,…
Unique beach pebble collected from the shore at Nice, designated an artwork within the Fluxus multiple by its inclusion in the boîte-catalogue. The manifest's parenthetical reproduction interdite (reproduction forbidden) operates simultaneously as…
Exhibition poster for Fluxus International & Cº, Galerie d'Art Contemporain des Musées de Nice, 59 quai des États-Unis, 06300 Nice, 5 July – 23 September 1979. Two-tone design . Central image: Victorian gentleman in top hat holding flag reading…
Exhibition poster for Fluxus & Chaos: une histoire qui n'a pas d'importance, Espace lyonnais d'art contemporain, Lyon, 4 April 1979. Printed in red on cream paper, colour variant of the blue-on-cardboard design used on the boîte-catalogue box…
A key ring whose fob contains a single hexagonal nut sealed permanently inside clear perspex. It is visible but entirely inaccessible. The title's use of "contenu" exploits a deliberate bilingual pun: the nut is the content (contenu) and is also…
Dried beans placed in the boîte-catalogue in reference to Alison Knowles, American Fluxus artist for whom the bean has been a central artistic material since her Make a Salad performance (1962) and Bean Rolls multiple (1963). The manifest uses the…
A typed letter from to Ben Vautier, Nice, containing a room-by-room inventory of objects hanging on the walls of Brecht's second-floor apartment. This functions simultaneously as personal correspondence and as a Fluxus artwork in the tradition of…
