An anonymous pamphlet by a prisoner from the POW camp in Salzwedel emphasizing the importance of using the Ukrainian language and the reading of ancestral Ukrainian literature.
Robert Watts (1923–1988) was an American artist and central figure of the Fluxus movement, known for his incisive humour, conceptual clarity, and radical rethinking of the everyday object. Trained as a scientist before turning to art, Watts brought…
Dried beans placed in the boîte-catalogue in reference to Alison Knowles, American Fluxus artist for whom the bean has been a central artistic material since her Make a Salad performance (1962) and Bean Rolls multiple (1963). The manifest uses the…
A cream card bearing only the word FOURCHETTE (fork) in bold sans-serif type. This is the paper fork of the manifest title, in which language substitutes entirely for the physical object it names. Formally consistent with George Brecht's Water Yam…
workshop report and final report (same title) organized by the Centre and financed by the Department of Justice with contribution by the Ministry of the Solicitor General, from research gatherings in Ottaw
with note from Heather Moore of the Library of the Solicitor General of Canada. Includes research report by same authors, in affiliation with the Department of Justice and Ministry of the Solicitor General
A small booklet presenting an experimental text work designed as an alternative to traditional academic lectures. The piece is structured for performance by two voices simultaneously, creating a layered textual experience. The work reflects David…
A pamphlet presenting the Union for the Liberation of Ukraine position in response to the Russian General Staff's notice about the nature of this Ukrainian political organization.
